This essay demonstrates such a viewpoint that moderate making-up is permitted in the writing of reportage because of its literary characteristics and realistic characteristics. 摘要本文从报告文学的文学性和真实性两方面的特徵入手，阐述了报告文学在写作过程中允许适当虚构的观点。
On the basis of foregrounding theory advanced by Mukarovsky from the Prague School, the author attempts to explore the representation of literariness in literary translation. 论文以布拉格学派的前景化理论为基础，探讨了文学翻译中的文学性再现问题。
